![]() ![]() Along the bottom of the right-hand portion are the three tape-selector buttons (for Types 1, 2, and 4) and the EQ switch, as well as a knob for fine-tuning bias. The virtue of the manual is somewhat compromised by its coverage of the more elaborate CR-4, but even its insistence on that model can't obscure the manual's superiority.Īt the left of the cassette holder are the power switch, eject button, and headphone jack. Second, there's the comprehensive and exceptionally communicative owner's manual, which can be an overriding consideration if the design of your machine is more advanced than your recording skills. You can also play (or rerecord) tapes made before the cassette-shell key-ways were standardized, which can't be done on most new decks. This means, for instance, that you can get exceptional high-frequency headroom with a Type 2 tape by choosing the 120-microsecond EQ normally reserved for Type 1. First, you can choose the recording EQ independently of the tape type. There are two other aspects of the CR-3A's design that, in our view, are equally characteristic of the company. Nakamichi bills the CR-3A as "the least expensive cassette deck that offers the three essentials of Nakamichi recording technology." Those essentials, as the company sees it, are the discrete three-head approach, in which azimuths of the recording and playback gaps are individually adjustable the asymmetrical dual-capstan drive, in which different capstan diameters and rotation speeds keep mechanical resonances from building up and electronics designed to achieve recording levels of +10-dB with metal tape. All main transport commands can be issued remotely with a wired remote control. ![]() Connection to other audio components for plaback can be achieved by a RCA cable and recording from a source by a RCA cable. The switchable MPX filter of the CR-3A filters out the pilot signal, and assuring proper Dolby processing of FM stereo programs.įor undisturbed listening a jack connector for a pair of stereo headphones is supplied. The 19kHz multiplex pilot slgnal present in FM stereo broadcasts can cause false triggering of the noise reduction system. Full-logic transport controls used on the CR-3A let it respond to the slightest finger contact for fast and effortless transport function selection.ĭolby C-type used in the CR-3A provides 20 dB of noise reduction above about 1,000 Hz, fully doubling the amount given by B-type. Level meters used on the CR-3A are digital LED peak reading meters. Tape eject is operated mechanically and the cassette needs to be placed with the side to be played facing forward in the cassette well which is opened by a damped mechanism. Typical front loading cassette deck with the cassette compartiment located on the left side of the deck. The main features of the Nakamichi CR-3A are: 3 discrete heads and off-tape monitoring, digital tape counter with 4 digits and memory stop, manual tape type selection and capable of handling normal, chrome and metal tapes with additional manual equalization selection, belt driven dual-capstan transport. This Nakamichi CR-3 is a stereo cassette deck with Dolby B and C noise reduction, it was first sold by Nakamichi in 1988 with a list price of USD $795 and discontinued 2 years later in 1990. ![]()
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